Miszellen | Intersectionality and Identity in Theatre

Autor/innen

  • Rebecca Ajnwojner

DOI:

https://doi.org/10.21248/thewis.7.2018.86

Abstract

I want to analyse the implications of the wishes that the actress expresses in the trailer from a theoretical point of view, as well as in the context of my dramaturgical practice in a German state theatre. […] I will further elaborate how the concept of intersectionality can serve as a tool in a critical theatre practice and prevent us from an essentialist understanding of identity. Finally, I want to carve out which role a dramaturge could play in all of that.

Literaturhinweise

Bourdieu, Pierre: Die feinen Unterschiede. Kritik der gesellschaftlichen Urteilskraft. Frankfurt a.M. 1982.

Nandi, Miriam: Gayatri Chakravorty Spivak: „Übersetzungen aus Anderen Welten“, in: Moebius,Stephan/Quadflieg, Dirk (Hg.): Kultur. Theorien der Gegenwart. Wiesbaden 2006, S.129-139.

Spivak, Gayatri Chakravorty: Can the subaltern speak? Postkolonialität und subalterne Artikulation. Wien 2008.

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Veröffentlicht

2026-05-20

Zitationsvorschlag

Ajnwojner, R. (2026). Miszellen | Intersectionality and Identity in Theatre. Thewis, 7(1), 115–121. https://doi.org/10.21248/thewis.7.2018.86