Miszellen | Intersectionality and Identity in Theatre
DOI:
https://doi.org/10.21248/thewis.7.2018.86Abstract
I want to analyse the implications of the wishes that the actress expresses in the trailer from a theoretical point of view, as well as in the context of my dramaturgical practice in a German state theatre. […] I will further elaborate how the concept of intersectionality can serve as a tool in a critical theatre practice and prevent us from an essentialist understanding of identity. Finally, I want to carve out which role a dramaturge could play in all of that.
Literaturhinweise
Bourdieu, Pierre: Die feinen Unterschiede. Kritik der gesellschaftlichen Urteilskraft. Frankfurt a.M. 1982.
Nandi, Miriam: Gayatri Chakravorty Spivak: „Übersetzungen aus Anderen Welten“, in: Moebius,Stephan/Quadflieg, Dirk (Hg.): Kultur. Theorien der Gegenwart. Wiesbaden 2006, S.129-139.
Spivak, Gayatri Chakravorty: Can the subaltern speak? Postkolonialität und subalterne Artikulation. Wien 2008.

